Studies of the Canadian home-front in
the Second World War are becoming increasingly frequent, indicating that military historians in the country are becoming
comfortable with the previously terrifying methodologies of social
history. The wartime citizens of Saskatoon,
Winnipeg
and Verdun
have all been the subject of recent scholarly examination and the
University of Calgary has a brand new edition to the literature in
Sarah Sewell's masters
thesis, "Making the Necessary Sacrifice: The Military's
Impact on a City at War, Calgary, 1939-1945."
A rising star in the constellation of published works is
Jeff Keshen's Saints,
Sinners and Soldiers, which is finding its way
onto the lists of graduate seminars and comprehensive examinations
alike. Keshen's work is a mirror image of your typical Second World
War survey, as it crams the fighting overseas into a single chapter,
a treatment traditionally reserved for the impact of the war at home. Keshen
challenges the notion of a patriotic consensus, showing resistance to growing government control by farmers and workers, along with the selfish actions of
profiteers. In Keshen's account, "The Good
War" loses much of its moral lustre.
Another recent work by an undisputed
heavyweight champion of Canadian military history, who has long
sparred with social theory, is Jonathan Vance's Maple
Leaf Empire. Vance's work is beginning to be assigned as an undergraduate text, as it concisely
surveys the Canadian military relationship with Mother Britain from
confederation to the Second World War. While Vance does touch on
moments of dissent, noting friction and misunderstanding between
Canadians and Britons in the early years of the second war, his account is
largely focused on Anglo-Canadian solidarity.
The major Canadian presence in Aldershot, the Vale of York and
Londonderry, are shown as a kind of reverse colonization, where,
(especially after those damn Yankees arrived), the Canadians were
welcomed with open arms.
Vance
notes that one expression of solidarity with Britain on the Canadian
homefront was particularly air-minded. With the major threat to
Britain in the early war coming from the Luftwaffe, it is no surprise that
Canadians wished to purchase aircraft to do their part in defence.
In 1939 the Wings for Britain Fund was established to channel
patriotic contributions to the Air Ministry, and in August 1940 the
cause was given a great leg-up by Canadian millionaire Garfield Weston. Upon hearing of
the loss of 16 Spitfires in August 1940, Weston signed a cheque for
₤100,000. Weston claimed, "As a Dominion man, I've dug deep
into my jeans to help with the war [...] But I've got my money on a
winning horse." (Cited in Vance, p. 164) Others soon stepped
forward, with the publisher of the Montreal Star
J.W. McConnell donated $1 million for a whole squadron built in Canada.
Even prisoners contributed! Globe 1940 |
Elites
were not the only ones to respond to the call for money for machines.
A particularly novel approach came from one Dorothy Christie of
Montreal, who sold some of her finer apparel to start a mailing
campaign to every other "Dorothy" she could find. Her
card's read, "Is your name Dorothy? If so, rally around and help
buy a Spitfire for Britain." (Vance, p. 166) Dorothys across
the country held some 20,000 tea parties, concerts, car washes and
yard sales. Presumably the presentation Spitfire named "Dorothy of the Empire and Great Britain" was the result.
The UK film "The First of the Few" was known as "Spitfire" in the United States. http://thegoldenagesite.blogspot.ca/2013/01/blog-post_808.html |
Wings
for Britain eventually purchased more than 2,200 aircraft, including
1,600 Spitfires, speaking to that model's ability to capture the
public imagination. Similar campaigns such as the Buy-A-Tank
campaign, capitalized on the popular fascination with the
machines of war, and contributed to a discourse of mechanization
which pervaded the era. Added incentive for those that purchased a
whole plane (the Air Ministry put the cost of a fighter at
₤5,000 for fighter, which actually only payed for the airframe), was
selection of the name of the craft. Vance notes a puzzling choice of
one Herbert Morris, who dubbed his spitfire "Dirty Gerty
Vancouver"!
Advertisements featuring "Canada's
New Mechanized Army", stirred the imaginations of young
Canadians as well. As Cynthia Comacchio notes in her chapter, "To
Hold on High the Torch of Liberty: Canadian Youth and the Second
World War." in a recent edited
volume, Canadian youth supported the war effort with an eye to
the skies. Around 40,000 high school boys worked on modelling
ninety different aircraft for British Commonwealth Air Training Plan
purposes. (Comacchio, p. 43) The models were to be used to
familiarize aircrew with a variety of allied and enemy planes.
Comacchio notes that girls got in on the building as well, perhaps
tiring of knitting socks for soldiers overseas. In some schools
girls protested that boys were delegated modelling duties, and
demanded participation. As Saturday Night magazine
noted, "In these cases the knitting needles are idle while the
young ladies cut patterns and paint up the finished models."
(Saturday Night, 19
December 1942, as cited by Comacchio) Comacchio, as can be expected
for a scholar with a keen eye for the construction of gender roles, notes, "Their
participation, however, clearly stayed within the domain of
traditional feminine skills."
These
patriotic responses offer a counter to Keshen's mirror image of the
"Good War". Far from offering a black or white picture
of the conflict, however, new works show that, despite the tankers of ink spilled
examining the Second World War, complex new approaches may still be
found. For Vance, "The speed and efficiency with which the
Canadian community in Britain mobilized to support charitable causes
like the Wings for Britain Fund demonstrates that Canada's empire in
Britain from the First World War had never really disappeared."
(Vance, p. 166) With a nod to Veronica Strong-Boag's A
New Day Recalled,
Comacchio's study notes that "what imprints individual and
collective memory, is not the universality of experience so much as
the fundamental elements of age and life stage." (p.28) War
could become a shortcut to adulthood, yet also "inspired generational
solidarity". (p.56) There is no questioning that the shared
experience of the war shaped the Class of '45 in schools across the
nation.
Further
Reading:
A
article from Legion magazine further elaborates on the Spitfire funds
and patriotic contributions:
http://legionmagazine.com/en/index.php/2012/09/the-gift-of-air-power/
One of the Garfield Weston spitfires was discovered in an Irish bog:
http://www.dailymail.co.uk/news/article-2009347/Spitfire-recovered-Irish-peat-bog-70-years-crashing-Ireland.html
Hayes, G., M. Bechthold, and M. Symes.
Canada and the Second World War: Essays in Honor of Terry Copp.
Wilfrid Laurier University Press, 2012.
http://books.google.ca/books?id=ksabpwAACAAJ.
Keshen, Jeff. Saints, Sinners, and
Soldiers: Canada’s Second World War. Vancouver: UBC Press,
2004. http://catdir.loc.gov/catdir/toc/fy051/2004541329.html
Vance, Jonathan.F. Maple Leaf
Empire: Canada, Britain, and Two World Wars. OUP Canada, 2012.
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