Wednesday, May 15, 2013

The poor to the madhouse, the rich to the spa: Neurasthenia in the 19th Century

The history of mental illness and psychiatry is a fascinating field that is always generating interest.  One would only need to glance at the program for the recent University of Calgary Conference "History of Medicine Days", to find new research on asylums, psychiatric pharmacology, or combat stress.  On this last topic, Terry Copp and Mark Humprhries' 2010 work Combat Stress In the 20th Century: The Commonwealth Perspective, compiles an impressive collection of primary sources from the archives and medical journals which outline the development of an understanding of mental breakdown on the battlefield.  Their introduction to the first chapter, "From Railway Spine to Traumatic Psychosis: Doctors Confront Trauma in the Modern Age, 1865-1918", shows how class and gender affected early thought on mental illness.

In the nineteenth century, public asylums could resemble medieval dungeons more than places of recuperation and rest.  Those committed to them were largely the impoverished, homeless cases deemed unstable and disruptive.  More affluent families with any compassion for a relation would certainly attempt to avoid incarcerating them here.  Instead of diagnosing these patients as insane, doctors would allow them to be classified as having "nerves".  As Copp and Humprhies write, "nerves allowed those with enough money to pay for treatment and a respectable diagnosis to wrap many of the more common mental illnesses in a linguistic cloak thus avoiding the stigmitization of the asylum". (p. 4)
Opening in 1247, London's St Bethlehem Hospital or "Bedlam"
 as it was known was the first dedicated strictly  to those with mental disorders.

Insanity was considered to be inherited, yet nervous disorders were thought to be acquired, and thus these were socially acceptable conditions.  Insanity reflected poor blood, while a nervous disorder may have just been reflective of being in the wrong place at the wrong time.  Psychiatrists, alienists, and neurologists were happy to be able to escape the practices of the asylum, and so by classifying the nervous disorders into neurasthenia, hysteria and traumatic neuroses, they looked forward to private practice with more well-heeled patients.
“Mistress and her maid,” by Jean Louis Forain.
University of Virginia Art Museum.
 http://www.hsl.virginia.edu/historical/reflections/fall2008/rest.html

Neurasthenia was thought to be a loss of nerve substances from the body.  Modernity, with its  railroads, electrification, and mechanization was thought to increase this dissipation of "nerve force".  While veterans of the American civil war were first to diagnosed, medical culture soon began to associate it with those who were on the cutting edge of the latest technologies.  Copp and Humpries record, "...a diagnosis of neurasthenia was often quite fashionable because it indicated that one was engaged with the modern world.  It grew in popularity so quickly that soon the link between veterans and the diagnosis was all but forgotten."  (p. 5)
Charcot demonstrates a case of 'hysteria' c. 1885 
http://www.richardwebster.net/freudandcharcot.html
 

Hysteria was a condition that was hard to distinguish from neurasthenia, and carried negative connotations with its diagnosis.  By the late nineteenth century it had become associated with undue sensitivity, moral weakness, and impulsiveness.  "Although it was similiar clinically to neurasthenia, hysteria resulted from the patient overexciting their own nerves through some specific idea or act.  Masturbation, obsession with romantic relationships, grief, and worry were all thought to unnecessarily tax the nervous system and sap the energies of the patient and, in extreme cases, produce a shock which resulted in the more pronounced hysterical symptoms like paralysis, blindness, and mutism." (p. 5)  With this contrast, it is clear which diagnosis was preferable for the patient!

The authors' note that it was the patient's class and sex that differentiated the two conditions to most doctors.  Patients from the upper class, of course, had "superior moral constitutions" and were less likely to succumb to the temptations which would bring on hysteria.  Women, however, thought to have less willpower and tendencies towards emotional outbursts, were also thought to be at risk.  It appears that wealthy women could turn a doctor's diagnosis in the favourable direction, as "...women of means were often able to find a doctor willing to label them neurasthenic." (p. 6)

Copp and Humprhies emphasize that after the Civil War, nervous disorders were increasingly accepted as a "more benign form of mental illness." They note that it was the pace of modernity that many blamed on the acute manifestation of these disorders:
At the heart of the diagnosis of neurasthenia was the notion that modernity itself was traumatic.  The mechanized, industrial slaughter of the Civil War and the hurdling pace of modern life were symptomatic of the trials and triumphs of the modern age and it was to be expected that man's feeble body would recoil in horror as it was further disconnected from an agrarian, rural past.  In the decades after the Civil War, doctors on both sides of the Atlantic were increasingly faced with victims who suffered from the after-effects of these head-on collisions with modernity. (p. 6)

Friday, April 19, 2013

Burned in Effigy: The Vagaries of Symbolic Arson

Nothing voices disapproval like building a mannequin, parading it about town under abuse, and torching the thing in public.  When it comes to over-the-top antagonistic symbolism, it is hard to beat the power of incineration.  And who doesn't like a roaring bonfire?

Over the years Canadians have taken to the streets in protest for scores of reasons.  Most often, politicians are the source of public ire, and so scarecrows in their likeness have faced the flames.  At other times, the more creative members of unruly mobs have worked artful metaphor into the performance.  A handful of protests over a hundred years of Canadian history prove that economics was often a cause that brought the torch to the tinder.

Revolutionary Lego Men protest British Taxation
without Representation.
Cooperman Brick Foundry

While trade and tariffs may not seem like a topic that could kindle the ritualistic arson, the student of Canadian history will know the subject has raised ire since the colonial era.  One need not be an expert to know that taxes have provoked their fair share of revolt over the years.

An early account of symbolic arson arose in the colony of New Brunswick when the British mercantile system was teetering on the breach.  Timber became a profitable export after Napoleon's European blockade halted the supply of Baltic wood to Britain.  After the War of 1812, the lumber barons of New Brunswick were quick to press authorities for a preferential tariff against non-imperial timber so they could still turn a profit.
 
"View of the Town of St. Andrew's with its magnificent Harbour and Bay", ca. 1840.
 Coloured lithograph by William Day (Day and Son Lithographers) after a sketch by Frederick Wells. Credit: Library and Archives Canada/C-016386.Family Heritage


An 1831 description of pyrotechnics in St. Andrews, New Brunswick, shows the great enthusiasm for news of a British ruling which maintained the tariff.


A boat said to be Baltic built, was filled with a cargo of combustibles and ... towed into the harbour, where she was moored. The Effigy of a distinguished supporter of the Baltic interests was suspended from the mast with a paper in his hand bearing the superscription "Baltic Timber Bill" - several pounds of gunpowder were concealed under his waist coat, and there was a large quantity in the boat. The combustibles were set fire to, and in due seasons, poor ______ was blown to atoms." (Cited in Graeme Wynn, "On the Margins of Empire", Illustrated History of Canada, 2007, p.199)


The protectionism of Sir John A. Macdonald's National Policy proves tarriffs were still a pressing issue after confederation.  In the Conservatives last electoral victory with The Old Chieftain, reciprocity in trade (free trade on many goods) was on the receiving end of a symbolic scorching.  Historian D.J. Hall noted that when John A. Macdonald's Conservatives won the 1891 election, supporters in  Brandon, Manitoba, hit the streets in a victory parade.  The procession included the burning of a bin of "Liberal" rubbish labelled "Unrestricted Reciprocity."   Hall notes that "the Liberals were consoled when, despite the Tories' best efforts, it resolutely refused to ignite." (Hall, The Young Napoleon, p.50)


Glenbow Museum and Archives File number: NA-3561-1
Title: Social Credit rally poster, Fort Macleod, Alberta.
Date: July 2, 1935
During the deprivations of the Great Depression, there is no wonder that ordinary people again vented their frustrations at an economic system that had left them desititute.  When Alberta's Social Credit party under William "Bible Bill" Aberhart won an astounding majority in the provincial election of 1935, the village of Chancellor was witness to a conflagration.  As John Irving notes in his work The Social Credit Movement in Alberta (1959),


To celebrate the victory they piled up packing cases, boards, and poles in the main street and built a huge bonfire.   They made a straw man, to represent the former member and defeated U.F.A. candidate for Bow Valley, Jonathan M. Wheatley.  Around this effigy they wrapped the election posters of all the opposing parties, and heaved it into the flames with a pitchfork.  This act, they explained, was not to be understood as an attack on Mr. Wheatley.  They meant nothing  personal: they were burning the monetary system. (Irving, 332)

Mr. Wheatley's reaction to his stunt double's use in this fiscal allusion is not recorded.  The crowd's sentiments suggest the specious dogma of Social Credit financial ideology had taken a firm grasp of the Albertan psyche.  Wheatley's treatment shows there could be sinister undertones to such pageantry, with the threat of violence directed at the effigy's mold.

Protest of Maine Liquor Laws in Saint John N.B.
featured burning effigies of US authorities.

Economics and symbolic arson is just one theme in the fascinating history of Canadian public ritual.  When the mob takes to the streets one never knows what allegories the more creative participants may procure.  Fire is a powerful symbol in all cultures, and has the added bonus of offering a little light in the days before electrification.  While the burning of figures as economic symbols seems innocent enough, a more malevolent side to these rituals arises with the burning of models of politicians or local people No matter how jovial a crowd of revellers may seem, one MUST feel attacked when observing one's own likeness go up in flames!

Tuesday, March 5, 2013

Airminded Patriotism: Second World War social history takes flight

Studies of the Canadian home-front in the Second World War are becoming increasingly frequent, indicating that military historians in the country are becoming comfortable with the previously terrifying methodologies of social history. The wartime citizens of Saskatoon, Winnipeg and Verdun have all been the subject of recent scholarly examination and the University of Calgary has a brand new edition to the literature in Sarah Sewell's masters thesis, "Making the Necessary Sacrifice: The Military's Impact on a City at War, Calgary, 1939-1945."



A rising star in the constellation of published works is Jeff Keshen's Saints, Sinners and Soldiers, which is finding its way onto the lists of graduate seminars and comprehensive examinations alike. Keshen's work is a mirror image of your typical Second World War survey, as it crams the fighting overseas into a single chapter, a treatment traditionally reserved for the impact of the war at home. Keshen challenges the notion of a patriotic consensus, showing resistance to growing government control by farmers and workers, along with the selfish actions of profiteers. In Keshen's account, "The Good War" loses much of its moral lustre.



Another recent work by an undisputed heavyweight champion of Canadian military history, who has long sparred with social theory, is Jonathan Vance's Maple Leaf Empire. Vance's work is beginning to be assigned as an undergraduate text, as it concisely surveys the Canadian military relationship with Mother Britain from confederation to the Second World War. While Vance does touch on moments of dissent, noting friction and misunderstanding between Canadians and Britons in the early years of the second war, his account is largely focused on Anglo-Canadian solidarity. The major Canadian presence in Aldershot, the Vale of York and Londonderry, are shown as a kind of reverse colonization, where, (especially after those damn Yankees arrived), the Canadians were welcomed with open arms.


Members of the "Eager Beavers" entertainment troupe from Montreal, who are visiting Aldershot, England, 4 July 1945.  Lieut. Arthur L. Cole / Canada. Dept. of National Defence / Library and Archives Canada / PA-152136


Vance notes that one expression of solidarity with Britain on the Canadian homefront was particularly air-minded. With the major threat to Britain in the early war coming from the Luftwaffe, it is no surprise that Canadians wished to purchase aircraft to do their part in defence. In 1939 the Wings for Britain Fund was established to channel patriotic contributions to the Air Ministry, and in August 1940 the cause was given a great leg-up by Canadian millionaire Garfield Weston. Upon hearing of the loss of 16 Spitfires in August 1940, Weston signed a cheque for ₤100,000. Weston claimed, "As a Dominion man, I've dug deep into my jeans to help with the war [...] But I've got my money on a winning horse." (Cited in Vance, p. 164) Others soon stepped forward, with the publisher of the Montreal Star J.W. McConnell donated $1 million for a whole squadron built in Canada.



Even prisoners contributed! Globe 1940
Elites were not the only ones to respond to the call for money for machines. A particularly novel approach came from one Dorothy Christie of Montreal, who sold some of her finer apparel to start a mailing campaign to every other "Dorothy" she could find. Her card's read, "Is your name Dorothy? If so, rally around and help buy a Spitfire for Britain." (Vance, p. 166) Dorothys across the country held some 20,000 tea parties, concerts, car washes and yard sales.  Presumably the presentation Spitfire named "Dorothy of the Empire and Great Britain" was the result.

The UK film "The First of the Few" was known as "Spitfire" in the United States. http://thegoldenagesite.blogspot.ca/2013/01/blog-post_808.html


Wings for Britain eventually purchased more than 2,200 aircraft, including 1,600 Spitfires, speaking to that model's ability to capture the public imagination. Similar campaigns such as the Buy-A-Tank campaign, capitalized on the popular fascination with the machines of war, and contributed to a discourse of mechanization which pervaded the era. Added incentive for those that purchased a whole plane (the Air Ministry put the cost of a fighter at ₤5,000 for fighter, which actually only payed for the airframe), was selection of the name of the craft. Vance notes a puzzling choice of one Herbert Morris, who dubbed his spitfire "Dirty Gerty Vancouver"!



Advertisements featuring "Canada's New Mechanized Army", stirred the imaginations of young Canadians as well. As Cynthia Comacchio notes in her chapter, "To Hold on High the Torch of Liberty: Canadian Youth and the Second World War." in a recent edited volume, Canadian youth supported the war effort with an eye to the skies. Around 40,000 high school boys worked on modelling ninety different aircraft for British Commonwealth Air Training Plan purposes. (Comacchio, p. 43) The models were to be used to familiarize aircrew with a variety of allied and enemy planes. Comacchio notes that girls got in on the building as well, perhaps tiring of knitting socks for soldiers overseas. In some schools girls protested that boys were delegated modelling duties, and demanded participation. As Saturday Night magazine noted, "In these cases the knitting needles are idle while the young ladies cut patterns and paint up the finished models." (Saturday Night, 19 December 1942, as cited by Comacchio) Comacchio, as can be expected for a scholar with a keen eye for the construction of gender roles, notes, "Their participation, however, clearly stayed within the domain of traditional feminine skills."


The "Little Happy Gang" children's knitting club, who are knitting for Canadian soldiers and for the Canadian Red Cross Society.  Victor Bull / National Film Board of Canada. Photothèque / Library and Archives Canada / C-053880

These patriotic responses offer a counter to Keshen's mirror image of the "Good War"Far from offering a black or white picture of the conflict, however, new works show that, despite the tankers of ink spilled examining the Second World War, complex new approaches may still be found. For Vance, "The speed and efficiency with which the Canadian community in Britain mobilized to support charitable causes like the Wings for Britain Fund demonstrates that Canada's empire in Britain from the First World War had never really disappeared." (Vance, p. 166) With a nod to Veronica Strong-Boag's A New Day Recalled, Comacchio's study notes that "what imprints individual and collective memory, is not the universality of experience so much as the fundamental elements of age and life stage." (p.28) War could become a shortcut to adulthood, yet also "inspired generational solidarity". (p.56) There is no questioning that the shared experience of the war shaped the Class of '45 in schools across the nation.



Further Reading:

A article from Legion magazine further elaborates on the Spitfire funds and patriotic contributions:

http://legionmagazine.com/en/index.php/2012/09/the-gift-of-air-power/

One of the Garfield Weston spitfires was discovered in an Irish bog:
http://www.dailymail.co.uk/news/article-2009347/Spitfire-recovered-Irish-peat-bog-70-years-crashing-Ireland.html 



Hayes, G., M. Bechthold, and M. Symes. Canada and the Second World War: Essays in Honor of Terry Copp. Wilfrid Laurier University Press, 2012. http://books.google.ca/books?id=ksabpwAACAAJ.



Keshen, Jeff. Saints, Sinners, and Soldiers: Canada’s Second World War. Vancouver: UBC Press, 2004. http://catdir.loc.gov/catdir/toc/fy051/2004541329.html



Vance, Jonathan.F. Maple Leaf Empire: Canada, Britain, and Two World Wars. OUP Canada, 2012.